With the death of Whitney Houston a few days ago, I was doing a case study of her life and the lessons that can be learned from her successes and failures. One of the big ones has little to do with Whitney Houston per se, and more to do with her connection with Dolly Parton. For someone in business or the arts, it is a life changing warning if you heed it well. Let me explain.
I Will Always Love You was composed by Dolly Parton. She wrote it in 1973 for her mentor, Porter Wagoner, who had worked with her, done duets, and produced her music. Parton knew it was time to move on from the professional relationship, but she wanted to wish Wagoner the best, letting him know she still loved him and hoped he got everything he wanted in life. She sang it to him in his office. It was the final song they did together before Dolly struck out on her own. It was released in the 1970’s and became a #1 hit.
Then, in 1975, Linda Ronstadt covered a rock version of the ballad. Not a #1 hit this time, but still well-received.
Later, in 1982, Dolly Parton used the song in the movie The Best Little Whorehouse in Texas, launching it, once again, to a #1 hit.
A decade after the second go-around on the charts as a #1 hit, Whitney Houston covered the song for the movie The Bodyguard and it went to the #1 spot on the chart for 14-weeks in a row.
Now, with the death of Whitney Houston, some speculate I Will Always Love You will once again enter the charts. It wouldn’t surprise me if it did.
All of that success wouldn’t have happened if Dolly Parton hadn’t turned down what seemed to be one of the greatest opportunities of her life. According to Chris Willman in Stop the Presses, Elvis Presley was going to record the song late in his career:
Parton thought it was a dream come true when Presley decided to cut the song, and she was even slated to visit him in the studio when he did. Then she was informed that Elvis wouldn’t be recording it unless he got half the publishing royalties — a mercenary custom instigated by manager Colonel Tom Parker that, sadly, kept Presley from getting to record a lot of great material later in his career. Parton refused the deal, which was heartbreaking at the time but ultimately served her well. “‘I think stories like that are the reason why younger female artists say I’ve influenced them,” she said.
Here, a successful but by no-means mainstream (yet) artist had the courage of conviction to know that she wasn’t willing to give up half of her income stream. The song was hers. She created it. The intellectual property belonged in her portfolio and, if it was good enough, people should want to perform it. The self-assuredness it takes to turn down and offer like that, and live with the consequences if it turns out to be a mistake, is what makes a strong leader. This case study is very similar to the one about Songwriter Franke Previte, who still, to this day, collects six-figure royalty checks each year on his intellectual property after refusing to sell it at a bargain basement price.
Whether you are a software developer or an artist, a novelist or a start-up, don’t give up the farm out of fear of losing your chance. Even if you are successful, what good does it do if all the fruits go to another person or group? It takes talent, skill, and dedication to create something of value. Don’t sell yourself short.
For the stock investors among you, that is like allowing the old owner of your stocks, from whom you purchased the shares, to keep all of the dividends you had ever collected because you saw they were having trouble putting food on the table.